Wednesday, September 14, 2016

HOW TO FIND THE GOLDEN NUGGET BY VIVIAN KIRKFIELD


Please—will somebody pinch me? I can hardly believe I am here, guest posting on Rate Your Story. Ever since I started writing, I’ve relied on their feedback to help me improve my manuscripts. The book that is under contract was only one of many of my manuscripts that passed through the Rate Your Story portals. So when they asked if I would share some thoughts, I was thrilled.

Sweet Dreams, Sarah (Creston Books: Spring 2017), is about a young woman’s journey. Former slave, Sarah Goode, has a golden nugget of an idea and she follows through, becoming the first African-American woman to own a U.S. patent. Wait a minute...a golden nugget of an idea? That’s how my story about Sarah Goode started! Let me share how that golden nugget of an idea became a manuscript under contract. 

In June of 2014, I took Kristen Fulton’s Nonfiction Archaeology class. It was a life-changing experience. I discovered I LOVED writing nonfiction picture books. And I learned that the first thing I needed to do was to find that golden nugget, that moment that had been forgotten, that incident in history that I could help bring alive for young children.
  • Find the golden nugget
So I turned to the internet and googled lots of firsts...1st woman in various sports events, 1st woman in the political arena, 1st black woman patent holder. Here is the link that started me on my journey. https://webfiles.uci.edu/mcbrown/display/women_inventors.html Hmmm…the first name on the list was Sarah E. Goode who got a patent for a cabinet bed. That sounded interesting. We can write a story about anything we want. But to get editors to acquire it, you’ve got to have a story that children can relate to. And it also has to be a story that stands out for some reason. Every child has a bed or shares a bed. Being the first black woman to receive a U.S. patent certainly stands out. So I looked more closely at Sarah’s story.
  • Do the research
I discovered there was almost nothing about her in books or on the internet. That was good because you don’t want a topic that everyone has already written about. On the other hand, you don’t want something that no one is interested in…and if you can’t find any information, it is almost impossible to write a nonfiction story about it. So I dug deeper, connected with my local library, reached out to other sources that might be helpful. I even contacted the cemetery where Sarah is buried and received a list of all of the people who are buried in her family plot, as well as the age, cause of death, and last known address of each of them. Information can be found in many different places…never give up.
  • Write the story
After I had gotten as much information as I could, I thought about what direction my story needed to take. I wanted to convey how incredible Sarah was. A woman…and a black woman at that, living in an era when women did not have any rights. They couldn’t vote, couldn’t own property, couldn’t even keep any wages they might earn. Yet she owned a furniture store in Chicago, designed an innovative cabinet bed that would help her customers save space, and followed through with tenacity to apply for a patent. Sarah’s tenacity fueled my determination. I became invested in seeing Sarah honored with a book. I knew it was an important story for children to read. I wanted to help make that moment in history come alive for them. So I wrote the story…trying to give the reader a sense of Sarah’s background, tying to relay her dreams, and trying to show how she struggled to build the cabinet bed and get the patent for it.
  • Ask for feedback
One of the most important steps in my writing process is to give my manuscripts to critique partners. And I did. Over and over again. Fortunately, I have quite a few of them. I sent it out to one group and would revise based on their suggestions and then I sent it out to the next. Rate Your Story saw the manuscript twice. I wrote the story in July of 2014 and sent it to Rate Your Story in August. It got a rating of ‘8’. Back to the drawing board.
  • Embrace revision
So Sarah’s Disappearing Bed (that was the title at the time) needed a lot of work. I revised it again and again. I sent it to critique groups again and again. In October, I submitted it to Rate Your Story again. This time, it got a rating of ‘3’. YES! I was making progress. I continued to revise. I continued to give the story to my critique buddies. A word here, a phrase there…I was always open to trying a different approach with the story. 
  • Get your story out there
After I received the rating of ‘3’ and had revised it based on the additional feedback, I began to submit the manuscript. I was a 12x12 Gold member, so I submitted it in October of 2014. I didn’t hear back from that agent, but I continued to submit the story to others. In 2015, I entered it into the Rate Your Story contest…it won second place!!! A kid lit acquaintance had just signed with an agent. When I visited that agent’s website, I fell in love with her and sent her the story in March. She emailed me within the hour to tell me how much she loved it. In May, I got an email from the agent who had received the story more than seven months before. (NEVER GIVE UP HOPE) She loved it and wanted to see more of my work. Then I participated in the June 2015 #pitmad challenge and it received a ‘favorite’ so I sent it to the #pitmad agent. That agent loved it also. In August, I noticed on #MSWL that another agent was looking for a nonfiction picture book about a strong woman, so I sent the manuscript to her. And she responded immediately. I was thrilled to have so many quality professionals recognize the importance of this story…and I was overjoyed that they were interested in seeing more of my work.  In the end, I went with the agent who had been passionate about it from the moment she received it because I believe that an agent MUST be passionate about your work in order to represent you successfully.
  • After the contract
With the process of submitting to editors in the hands of my agent, Essie White, I sat back and continued writing new stories. Fortunately, unbelievably…I think I need another pinch…the manuscript was picked up almost immediately. When I heard I was to work with Creston editor Marissa Moss, I couldn’t have been happier. We signed the contract and Marissa sent me the manuscript with a few revision notes and requests. I revised and returned it to her. She sent it back with one additional revision request. I reached out again to my critique buddies who had been part of the process from the very beginning. With their feedback, I was able to construct the perfect ending and the editor was very pleased.

Now the manuscript is in the hands of the illustrator and I can’t wait to see how the book turns out. It’s been an amazing adventure and, at times, a wild ride. But I am ready, willing, and able to grab a seat on that roller coaster again with another manuscript. We do have another story in acquisitions (but that is no guarantee of a contract) and two other manuscripts out on submission. Plus, I’ve got a folder filled with manuscripts in various stages of readiness and a head full of stories waiting to be written. And what do I do for relaxation, you might ask? I read manuscripts from my many critique buddies and try to give them feedback that will strengthen their stories. After all, turn-around is fair play and for me, there is no greater joy than helping another writer.

------

Vivian Kirkfield
Although Vivian Kirkfield is not a fan of heights, she is constantly taking leaps of faith. In 2010, she self-published an award-winning parent-teacher resource book, Show Me How! Build Your Child’s Self-Esteem Through Reading, Crafting and Cooking. On her 65th birthday, she went skydiving with her son, jumping out of a perfectly good plane, which caused her husband to question her sanity. And when a fellow author and blogging buddy invited her to fly half-way around the globe to speak at the 2013 AFCC/SCBWI conference in Singapore, she couldn’t say yes fast enough. 
Vivian is a proud member of the Society of Children Book Writers and Illustrators, an active participant in an insane number of critique groups, is up for just about every picture book writing challenge, and considers playing an epic game of Monopoly with her seven-year old grandson to be one of the best ways to spend the day. She currently lives in the idyllic New England village of Amherst, New Hampshire with her husband. Vivian is passionate about helping kids become lovers of books and reading and hopes that the stories she writes will have kids asking their parents, “Read this one again, please!”. You can find her on Twitter: @viviankirkfield and Facebook: www.facebook.com/viviankirkfield, or visit her blog at Picture Books Help Kids Soar: www.viviankirkfield.com






Thursday, August 11, 2016

TIPS FOR WRITING A BETTER PICTURE BOOK BY KATHLEEN DOHERTY


Author Kathleen Doherty is the self-proclaimed "Grandma Moses of picture book writing. I’m a slow-and-steady-wins-the-race kind of writer." She kept piling up rejection letters until she finally had her first two picture book sales in June, 2015--congratulations, Kathleen! We've asked Kathleen to share a few tips for writing a better picture book and she's compiled an excellent list of picture book tools below, just for our RYS blog readers. Enjoy!

PICTURE BOOK WRITING TIPS

Rhythm 
At first I’d get rejected because the language I used wasn’t special enough. So I read poetry and picture books studying how authors put words together. Now I try harder to make my words dance across the page and let my personality shine through [voice].

Humor
When writing humor, I use words that contain these consonants:  p, b, t, d, k, and hard g as in goat. Notice how these letters explode off your tongue and produce funny sounds. That’s why the word underpants is funnier than underwear.

Visualization
I make sure every sentence I write can be illustrated. I think of my story as an escalator, always moving and changing with each line. My words only tell half the story because I have to leave room for the illustrator.

Intertextuality
I loved how Roahl Dahl used made-up words in THE BFG like whizzpoppers, frobscottle, and snozzcumbers. I borrowed that idea and made up words in the first two picture books I sold. Borrowing an idea or concept from another author and reworking it to make it your own is called intertextuality.

Stepping Stones
Rejection letters happen. Eileen Spinelli got 27 rejections on SOMEBODY LOVES YOU MR. HATCH. Jerry Spinelli never sold his first novel. Rejection letters are steppingstones to something bigger and better. After my first sale to Highlights in 2006, the magazine’s submissions editor sent me 10 rejection letters in a row before she bought a second story.  

Professionalism
I use personalized stationery with my name, address, phone number, and email printed at the top so I can submit professional-looking cover letters. I paper clip my letter to my story. I never fold or staple my submission.

Revision
When I think my manuscript is ready to submit, I tape record it. Then I play it back over and over listening for rough and boring spots. Then it’s revision time!

Page Turns
I make a dummy and read my story aloud. I emphasize the page turns as I read. I ask myself:  Do I have 14 different scenes? Will readers care about my main character? Did I rush the beginning? Is my ending satisfying?

Craft
I’m always looking for feedback and ways to take my writing to the next level. I attend SCBWI conferences, take workshops, belong to a critique group, and I’ve subscribed to RateYourStory for years. I read books on craft. And I type out my favorite picture books to study them. 

Perseverance
Perseverance is more important than talent. I’m living proof. Writing doesn’t come easy for me. Most writers let a rough draft flow off their fingertips. Not me. I agonize over every word and revise as I write. Every author is different. Candace Fleming writes in longhand before she gets out of bed in the morning. Beverly Cleary never reads other children’s books because she doesn’t want them to influence her. Eve Bunting likes to know the last line of her picture book before she begins. And Jane Yolen writes to find out how her story will end.

Importance
We picture book writers are important people. Be proud! We start children on the wonderful path of reading. Visualize a dad reading your book to his daughter at bedtime, or a grandmother buying your book for her grandson’s birthday. My dream has always been to read my picture book aloud to the children at St. Jude’s Children’s Research Hospital. I’M GETTING CLOSER! 

_____

Kathleen Doherty
I’m a retired elementary school reading specialist / educational specialist. I enjoy presenting at state reading conferences. I’ve written standardized test questions that align with the Common Core for Pearson, Inc.


In June, 2015, I sold my first two picture books [Sterling and Peachtree] all in one week! My work has appeared in The Mailbox, Highlights for Children, Highlights High Five, Highlights HELLO, and Spider Magazine. I’ve won the Highlights Pewter Plate Award, the Highlights Celebrate National Poetry Contest, and a letter of merit from SCBWI’s Magazine Merit Competition.



Wednesday, June 8, 2016

2016 RYS "Awesome Openers" Contest Winners!

Thank you to everyone who entered the Rate Your Story contest this year. 
We are excited to announce this year's winners below. 
Congratulations to all! 


Category -Young Adult

Jerrianne Hayslett
First Place: END OF THE ROPE by Jerrianne Hayslett
The lives of 16-year-old Jimmie Cameron and a privileged contemporary are changed forever after a late-night joyride through the Indiana countryside lands Jimmie in jail and facing a lynch mob for shooting a white man.

Julie Andrews
Second Place: FINE LINES by Julie Andrews
In FINE LINES, seventeen-year-old Kate Conner is a trained ballerina who knows life is filled with fine lines: the line between trusting and turning her back; the line between friends and lovers; the line between living on the edge and falling off of it. Kate is a recovering addict from another kind of fine line—cocaine. She knows that dance can save her, but it’s hard to stay strong when her circle of friends—her only real family—keeps pulling her toward the life she is trying to leave. 

Ariadne Lukas
Third Place: FIELD OF VIOLETS by Ariadne Lukas
When Gabby, the voice inside her head, puts seventeen-year-old Violet in the hospital, she trusts classmate Neil to help her. His shaman grandfather performs an Ojibwe ritual to help Violet discover who Gabby is and how she can save her before she causes more harm. 

Jodi Cardillo
Honorable Mention: MOVE ON UP by Jodi Cardillo
When star cross-country runner Violet Smith trips at the championships, she can't get up. After following physiotherapists, doctors and surgeons' advice to have her spine fused, her back pain persists. Faced with living life at sixteen bed-ridden, Violet must determine what's truly causing her pain and find her own path to recovery.


Category - Middle Grade

Kristine Olson
First Place: FLOWER, RIGHT HERE by Kristine Olson
When 12-year-old Louisa trusts a talking beetle to help her paint an art contest entry, she (a Korean adoptee) must learn Korean folklore to paint her way out of trouble, solve a mystery about a girl who died and save her own dream of being an artist.

Leia Johnson
Second Place: TO GO TO TOGO by Leia M. Johnson
Two Ghanaian sisters and two American brothers find friendship and adventure while they travel across West Africa. Whether they are eating Nilla wafers, riding motorcycles through the bush, or fighting fires with well water, these four young heroes find that life is better when they work together.

Jane Resides
Third Place: THE ONE-EYED RABBIT by L. Jane Resides
Twelve-year-old Maggie has nightmares they’re being bombed. On top of that, she wants to tell her father, working away in a defense plant, she’s being bullied at school. In the end, she decides to best the bullies and gain her classmates’ respect by winning first prize in the art contest. But someone’s contest entry disappears, and Maggie discovers that she's the prime suspect.

Tracey Brown
Honorable Mention: HAPPILY EVER​ by Tracey Brown
Afraid to disappoint her father, again, Hali agrees to go on a camping trip with her friend's family. Fireside sing-along's and sappy family togetherness are things to avoid at all costs, so she crosses her fingers and hopes she'll survive. She didn't mean it literally.


Category - Picture Book Fiction


Monica Lauscher
First Place: MOANA LISA, MONSTER FASHIONISTA by Monica Lauscher
Moana Lisa is a little monster. She is not, however, like other little monsters. Moana Lisa doesn’t want to be scary or creepy and frighten little girls in pretty dresses. She wants to wear pretty dresses. But can a little monster “fashionista” make her spooky, slimy, monster parents proud? Or will it be back to Scare School for her.

Midge Smith
Second Place: THE SNOW HORSE by Midge Smith
Eight-year-old Ella is teased by older brothers who think she is too little to see the mysterious snow horse. But when he appears at her window taking her for an unforgettable midnight ride, she discovers that one is never really too small for a magical adventure.

Vivian Kirkfield
Third Place: THE BOOTS OF DYLAN MCGEE by Vivian Kirkfield
Whether he is lassoing his sister, riding his dog, Rover, or sleeping in bed, cowboy-in-training Dylan McGee refuses to take off his boots. When an hour in the shower creates a boot-calaboose, Dylan must find a way to remove the toe-pinching boots that won't budge.

Katelyn Aronson
Honorable Mention: MOOSE A SNOOZIN by Katelyn Aronson
Deep in the bayou, a lonely boy's wanderings along the River Oozing lead him to a marvelous discovery. One false move, though, and he's soon the object of a wild MOOSE chase! A story of finding friendship where one least expects it...(not to mention the power of a little pecan pie).

Maria Marshall
Honorable Mention: THE ANIMALS SNOWBEAR by Maria Marshall
Grudgingly, after promised a gift, five unlikely animals join Mouse's cumulative attempt to free a mysterious present snagged in a tree and discover that combining their wishes creates the first Snowbear.


Category - Picture Boon Nonfiction


Nicole Popel
First Place: THE CANDY DESK by Nicole Popel
A Congressman keeps a red-hot secret under wraps, until it burns like a fireball, turning persnickety politicians into sweet, sugar-snacking Senators.

Sara Matson
Second Place: BUTTERFLY DETECTIVE: HOW SCIENTIST FRED URQUHART SOLVED THE MONARCH MIGRATION MYSTERY by Sara Matson
Scientist Fred Urquhart spent 40 years studying monarch butterflies in order to answer one question: where do they go during the winter? His tireless efforts led to the 1975 discovery of the monarch migration sites in the mountains of central Mexico.

Nancy Churnin
Third Place: MANJHI MOVES A MOUNTAIN by Nancy Churnin
Deep in the heart of India, a 300-foot mountain separated a poor village from one that had a hospital, school and fields rich with crops. This is the true story of Dashrath Manjhi, a man from the poor village, who was determined to cut through that mountain. Everyone said he was crazy when he began his task using only a chisel and a hammer. Twenty-two years later, when he knocked down the last thin wall of stone, they called him a hero.

Sue Frye
Honorable mention: BIRDS OF A FEATHER by Sue Frye
Orville and Wilbur Wright shared the same lofty dream, they wanted to fly. Working together, they faced many years of trial and error in which their dream grew stronger. Then one day, their experiments finally paid off and they took to the sky.

Thursday, May 5, 2016

My Rate Your Story Success Story by Nancy Churnin

I was thrilled to learn about the existence of Rate Your Story when I began my journey as a children’s book writer. I was so unsure about what worked and what didn’t worked. How wonderful, I thought, to have a service where you can test stories to see if they’re ready for an agent or editor?

I started with Rate Your Story when it was a completely free service that judged stories on the first day of each month. I will never forget sending my story about William Hoy, one of the first famous Deaf baseball players, to RYS in July of 2013. It was the same month I submitted my manuscript to the 12 X 12 agent of the month, Karen Grencik of Red Fox Literary.

That month I heard back both from Karen, who wanted to send the story out immediately, and Miranda Paul, the founder of Rate Your Story, who told me that she thought it was a wonderful story. That encouragement was so key to me at a critical time. It turned out that my story about William Hoy would receive an initial round of (kind) rejections and I would need to rethink and rewrite it.

But now, in March of 2016, as The William Hoy Story: How a Deaf Baseball Player Changed the Game rolls off the presses from Albert Whitman & Company, I think back about how the support and encouragement I received from Miranda and Rate Your Story strengthened me for the journey ahead. I have renewed my membership in RYS each year. I value the opinions of the writers, teachers and editors that judge the manuscripts in letting me know if I’m on the right path. I’m especially grateful when the judges see fit to include comments. 

Writing is a solitary journey and it can be fun to be alone. But it’s also fun to be alone together as Frog and Toad concluded long ago. I’m glad to be alone with RYS and my friends in the children’s writing community.

Congratulations, Nancy! For more check out Nancy's website HERE or read below for reviews on The William Hoy Story: 

New York Times

Monday, April 4, 2016

Author Pat Miller's Success Story: The Hole Story of the Doughnut

I am so grateful to author Miranda Paul and her hard-working reviewers at Rate Your Story. They had an important part in the publication of my first nonfiction trade book, The Hole Story of the Doughnut.

Here’s the behind-the-scenes timeline:

January 10, 2013 - I was a new member when I read Lori Degman’s post on Julie Hedlund’s 12 x 12 FB group. Lori introduced us to Rate Your Story and its amazing offer to critique stories at no charge. I had a historical fiction story ready to send to Highlights for its annual fiction contest. Perfect timing! Off it went.

January 13 – My story rating came back: 3: “Good Story—Get a critique or two and polish before submitting.” Some helpful suggestions were included.

I had no critique group, and the deadline was two weeks away. Luckily, I saw this at the end of the RYS rating: “Want a more in-depth, professional critique? Visit the RYS Professional Critiques page to hire a published writer to help make your manuscript better!” (page here).

January 14 - I read all the RYS reviewer bios and chose Jill Esbaum. Jill is the author of twelve books for kids and former instructor for the Institute of Children’s Literature. We worked out a fee and Jill said she could turn it around well before the Highlights deadline. 

January 23 - True to her word, Jill got her comments back to me. I made changes based on some of her feedback, and got my story off to Highlights just before deadline. 

February 1 - For the first time, Julie’s 12 x 12 offered the opportunity to submit a manuscript to an agent for review. I rewrote my story as a nonfiction biography. Jill and I arranged another critique, and her responses helped me re-examine some parts. A few days later, at the SCBWI-Austin conference, I won a hotly contested silent auction prize—a critique from Newbery-honor winner Kathi Appelt. She also took a look at Hole Story and made suggestions.

February 26 - I submitted my NF bio, The Hole Story of the Doughnut to 12 x 12’s first agent Stephen Fraser. In two hours, he replied that he liked my story! Could I make a couple of small changes and resubmit? Of course!

April 1 - Stephen wrote “I would be interested in representing this manuscript if you can add one more sentence.” And it wasn’t an April Fool’s joke! He called me the next day, and I can report that I did not squeal like a pre-teen. At least, not until I hung up. 

April 2 – I withdrew my story from the Highlights Fiction Contest.

July 19 – Stephen wrote, “Houghton Mifflin Harcourt would like to publish The Hole Story of the Doughnut! I'll keep you posted.”  More squealing.

March 21, 2014 – I heard from Kate O’Sullivan, Executive Editor at HMH. She said she was excited about my “excellent story” and that the search for an illustrator would begin in the near future.

May 30 – Kate suggested several illustrators and asked me to submit some suggestions. Really?!

September 8 – From Kate: “Excellent news: Vincent X. Kirsch is on board to illustrate DOUGHNUT” 

May 12, 2015  Kate sent “the mechanicals”, a color copy of the book pages as they would be sent to the printer.

July 23 – From Kate: “DOUGHNUT is on our spring ’16 list.”

November 2 – From Kate: “Great news: HOLE STORY is a Junior Library Guild Selection!”

May 3, 2016The Hole Story of the Doughnut makes its debut!



For more about Pat Miller, visit www.patmillerbooks.com.



Thursday, February 4, 2016

Bring in the Money!

by author and RYS judge, Jennifer Swanson

No, this blog is not about a re-make of the movie starring Cuba Gooding Jr and Tom Cruise. No one is going to open their wallet and start throwing money around.
(Although if you want to, please feel free to throw some my way. I have one in college and another heading there. I will take any money for tuition I can get!)
This blog is about how to make money with your writing, even before you make it big! Let’s face it, we all know that the road to traditional publishing is long, difficult and at time frustrating AND  it is very worth it. I agree.
But what if it were possible to help yourself along the path while making money?
(this is beginning to sound like one of those late-night commercials, isn’t it?)
What I’m talking about is a way to break into traditional publishing. It’s called Work-for-Hire (WFH).
Now some see WFH as a lesser arm to traditional publishing. I don’t understand that. I know PLENTY of authors who’ve been published with big houses that did WFH before they got published and continue to do so afterwards.
WFH is a way to bring in a steady stream of income without having to wait for royalties. Like everything else, it has its plusses and minuses. But if you’re staring a tuition bill in the face and have no funds to pay for it, WFH looks pretty dang good!
What is WFH?  
WFH means exactly that.  A publisher sends you a contract to write a book to specific guidelines under a set timeline.
Who uses WFH authors?
51m0rqeI4UL._SL210_
The biggest employers of WFH are educational publishers and book packagers, although pretty much every major publisher has a WFH division.
Educational publishers are companies that write specifically to sell to schools and libraries. These books will probably not be found in book stores. They are very concerned with writing to exact grade and reading levels.
Book packagers are companies that are hired by other publishers to create books for their list. (I know, it’s a little confusing.)
51L0v+DtJFL._SL210_Here’s an example: Publisher A wants a series on earth science (volcanoes, tsunamis, earthquakes, etc) but doesn’t want to take the time to find the authors, illustrators, and editors to do it. They hire Book Packager B. Book Packager B then hires authors, uses their own in-house editors and illustrators, and sends the completed manuscript to Publisher A for approval. The book is published with Publisher A’s name and the name of the author. (The book packager name doesn’t appear anywhere).
Major publishers usually use WFH authors for trademarked series like ones about super heroes or say Nancy Drew type books. These books are formulaic and stick to the series guidelines although each book has a new topic.
How do I find a WFH company?
Try some of these links. They are excellent sources for how to find educational publishers and book packagers.
How do I approach a WFH company?
You need to send a resume package to the publisher. A resume package consists of the following:
Query letter -- outlining why you are interested in working for this company. It helps if you have read a couple of their books or can point to a series they are doing that you are interested in working on.
Resume --  An up-to-date resume of your writing credentials. Include anything you’ve had published, even if it’s just on a blog. If you don’t have much, then put what you do – your job, your interests, whatever. It should be in a standard resume form and look professional
Writing samples --  These are really important. You need between 1-3 samples (check the publisher’s guidelines. Some tell you exactly how many you need to send). If they don’t tell you send at least two. These pieces should be VERY polished. They are your way of showing that you can write to their guidelines. It’s a good thing to study their books and write in a similar manner. Also, if you wish to write biographies, then send a sample biography. If you want to write science, send a science piece, and so forth. If you want to write fiction, send a fiction piece similar to something they have already published. If you want to write both, then send one fiction and one nonfiction piece. This shows depth.
What happens after I get hired?
51NVxY4L7LL
First of all, Congratulations!  Second, get very familiar with your computer chair. The thing about WFH is that they work on fairly short deadlines. That means you may have a month or less to write a 3,000 word (or longer) book.  The one thing to know about WFH companies, is the deadlines RARELY shift. If you have a deadline for January 28, 2014, that is THE deadline. These companies roll out books by the dozens and have two cycles a year. They must stick to the deadlines to get everything done. That means you have to, too.
Another thing, get very familiar with ATOS Readability and Lexile reading levels. These will be your golden guides. Most educational publishers live and die by these reading level systems and your manuscript MUST be within the designated level and word count when it is submitted.
Drawbacks of WFH?
You receive a flat fee for your work and you sign over all rights for the book.  You do not receive royalties of any kind. Also, just a heads up, sometimes it’s easier to get hired by a book packager first, but they tend to pay half of what the educational publisher will because they are the “middle man.”
Plusses of WFH?
Someone has hired you to write a book! The book is published with YOUR name on it! You can use all of these books on your resume in the future – for more WFH or to approach other traditional publishers with your own manuscripts.  Most WFHpublishers are PAL publishers with SCBWI so you get all the perks that brings. You can go out and do school visits with your books and sell them at events, and so forth. Yes, you are a REAL author!
So, what do you think? Is this for you? If so, get to work writing those samples. Remember, in order to “Show me the money!” you have to start submitting resumes. The money isn’t going to show itself any time soon unless YOU send something OUT!
Jennifer is the author of over 20 fiction and nonfiction books for children. When she is not writing, she loves to read, walk on the beach with her family, and play with her two dogs. You can learn more about her at www.JenniferSwansonBooks.com
--
this post was originally posted here

Thursday, December 31, 2015

Celebrating 2016 With A RYS Giveaway!


To kickoff the new year and to celebrate all of you awesome people, we've organized our first RYS giveaway for 2016. Woot!

This is open to both RYS members and nonmembers while we're still open for 2016 member registration. But don't miss the next one! We'll be organizing more giveaways just like throughout the year for members only. Click HERE to register for 2016. 

First up we've got a fantastic webinar from Jodelle Sadler's KidLit College. The drawing for this prize will be held THIS WEEK so hurry to enter. 

Eve Adler's Unlocking the Mysteries of Writing the CB or MG Series - More details here. 
Eve Adler is a Senior Editor at Penguin. This webinar will be taking place on January 9th! We will draw a winner on January 7th at 12:00pm eastern time. You must enter before that in order to be eligible. Enter using the rafflecopter below.
a Rafflecopter giveaway

Next we'll be giving away a copy of RYS judge and founder, Miranda Paul's, newest book, Whose Hands Are These? 
Whose Hands Are These? is a "guessing game/picture book hybrid celebrating diverse occupations" - More details here
We'll be drawing the winner for this on January 15th. *You must live in the continental United States to be eligible.

a Rafflecopter giveaway
Miranda Paul is also offering a manuscript critique (2000-words or less)! Enter the rafflecopter below for your chance to win this prize. The winner will be drawn January 15th. You must enter by midnight on the 14th to be eligible.
a Rafflecopter giveaway

If you can't make the first KidLit College webinar, don't fret! You still have one more chance to win a seat in an upcoming webinar. Enter the rafflecopter below for a chance to win a pass to Emily Feinberg's Nonfiction Picture Book webninar on January 23rd. Emily Feinberg is an editor with Roaring Book Press. The winner will be drawn on January 15th - More details here.
a Rafflecopter giveaway
Don't forget to sign up as a RYS 2016 member for more giveaways, critiques and added member perks. Spaces are now limited and registration closes January 15th! 


**Please follow the rules of the rafflecopters to enter. If your name is drawn, we will notify you via email. Note that the KidLit College prizes are for the webinar only and do not include critiques with the editors.**

_________________________

Monday, November 9, 2015

A note from the Rate Your Story Team

New Member Registration, New Judges & What to Expect from 2016!


We can’t believe that 2016 is just around the corner now! This past year has been an big one for Rate Your Story and we are looking forward to another wonderful year. 

The new year also brings new and exciting changes. The fabulous Miranda Paul has handed the RYS reigns over to Sophia M. Gholz and Jennifer Swanson--though Miranda will still be involved with RYS as a judge--both of whom are ecstatic to join the RYS team. You can read more about that HERE

Registration for 2016 memberships will open Mid-November through January and there are a few changes to memberships this year as well. 

Pre-registration will begin November 16th (2015) and will run through November 30th (2015). Anyone who uses this early window to register for a 2016 annual membership will receive 25% off of the total membership fee for the year! 

Regular registration will begin December 1st (2015) and end January 15th (2016). 

All current and returning RYS members who register for 2016 will receive a 35% discount on their annual membership fee and can register anytime between November 16th (2015)-January 15th (2016). 

*Please keep in mind that last year we reached membership capacity quickly and had to close registration early.* 

For more details on registration and memberships, please visit us by clicking HERE

We’ve also added a slew of new faces to our judging panel. Get to know some of our new judges and check out some freshly updated info on our current judges by clicking HERE

In accordance with our founding mission, RateYourStory.org will also continue to offer a free service to writers who have not signed up to be paid members. However, we are also striving to provide constructive and timely critiques to all of our members. Therefore 2016 will consist of 6 “free submission” days open to the public. 

Both new and returning 2016 members can be prepared for some fun surprises and opportunities throughout the year. We’ve got all sorts of things planned! 

As always, for any questions, please feel free to contact us at RateYourStory [at] gmail [dot] com.

Cheers and happy writing! 
The RYS team

For weekly updates and RYS news, connect with us on TWITTER and FACEBOOK too!